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            <title>The Yellow Nineties Online</title>
            <title>Cosmopolis Literary Advertiser, Mar 1896</title>
            <title type="EG1-2_Review_Cosmopolis_Literary_Advertiser_Mar_1896"/>
            <editor>Lorraine Janzen Kooistra</editor>
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         <editionStmt>
            <edition>
               <date>2019</date>
            </edition>
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            <idno>R_CLA_0396_EGV1-2</idno>

            <publisher>The Yellow Nineties Online</publisher>
            <pubPlace>Ryerson University</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
            </address>
            <availability>
               <p>Usable according to the Creative Commons License <ref
                     target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                     Non-commercial Share-alike</ref>.</p>
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                  <editor>Fernand Ortmans</editor>
                  <author>Unknown</author>
                  <title level="j">Cosmopolis Literary Advertiser</title>
                  <imprint>
                     <publisher>T. Fisher Unwin</publisher>
                     <pubPlace>London</pubPlace>
                     <date>March 1896</date>
                     <biblScope>"The Evergreen." Rev. of <emph rend="italic">The
                           Evergreen: A Northern Seasonal</emph>, vol.1, Spring 1985, and vol.2, Autumn 1895, 
                        <emph rend="italic">Cosmopolis Literary Advertiser</emph> March 1896,
                        p. 2. <emph rend="italic">Yellow Nineties 2.0</emph>, edited by
                        Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019. 
                        https://1890s.ca/EG1-2_Review_Cosmopolis_Literary_Advertiser_March_1896/
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            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
               reviewed by them and/or an international board of advisors. The site as a whole is peer-
               reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
               Scholarship). Contributors to the site retain personal copyright in their material. The
               site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
               license. Both primary and secondary materials, including all visual images, are marked
               up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
               Language). To ensure maximum flexibility for users, magazines are available on the site
               as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway. </p>
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            <date>1896</date>
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                  <item>Review</item>
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                     "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                     (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                     "Travel Writing," "Music, Other,")
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                  <item>Periodical</item>
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                  <item>Book History</item>
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         <head>
            <title level="a"><emph rend="bold">Representative Press Opinions</emph></title>
        
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         <p>"The first of four quatro volumes, devoted to the seasons, is a very original adventure in literature and<lb/>
            art. It is bound in roughly embossed leather, very delicately tinted. It is superbly printed on fine paper<lb/>
            gilt edged over rubric at the top, and with rough sides . . . A high standard of literary quality is maintained<lb/>
            throughout."&#x2014;<emph rend="italic">Birmingham Post</emph>.</p>
            <p>"Probably no attempt at renascence has ever been better equipped than that undertaken 'in the Lawn-<lb/>
               market of Edinburgh by <ref target="#PGE">Patrick Geddes</ref> and Colleagues.' 'The Book of Spring' is altogether of the stuff<lb/>
               bibliographical treasures are made of." &#x2014;<emph rend="italic">Black and White</emph>.</p>
         <p>"<emph rend="italic">The Evergreen</emph> is unequalled as an artistic production . . . it also touches an international note, and<lb/>
            holds up the spirits of the best ideals in literature and art."&#x2014;<emph rend="italic">London</emph>.</p>
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