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                <title>The Yellow Nineties Online</title>
                <title>The Spectator, 8 January 1898</title>
                <title type="Dial5-Review-The-Spectator-Jan-1898"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                <edition>
                    <date>2020</date>  
                </edition>
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                <idno>R_TS_0198_DIALV5</idno>
                
                
                <publisher>The Yellow Nineties Online</publisher>
                <pubPlace>Ryerson University</pubPlace>
                <address>
                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                    <p>Usable according to the Creative Commons License <ref
                        target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
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                        <title level="j">The Spectator</title>
                        <title level="a">Book Review</title>
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                            <publisher>The Spectator</publisher>
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                            <date>8 January 1898</date>
                            <biblScope>"Book Review." Rev. of <emph rend="italic">The Dial</emph>,
                               vol. 5, <emph rend="italic">The Spectator</emph>, 
                                vol. 80, no. 3628, 8 January 1898, p. 57. <emph rend="italic">Yellow Nineties 2.0</emph>, 
                                edited by Lorraine Janzen Kooistra, Ryerson
                                University Centre for Digital Humanities, 2020.
                                https://www.1890s.ca/Dial5-Review-The-Spectator-Jan-1898/
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway. </p>
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                <date>1898</date>
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                        <item>Review</item>
                        <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext"
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                            reviews), "Criticism" (including critical introductions), "Visual Art" (images,
                            bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything
                            with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion,"
                            "Travel Writing," "Music, Other,")
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                        <item>Periodical</item>
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                            (images, visual art), "Physical Object" (posters, prospecti)</note>
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                        <item>Book History</item>
                        <item>Art History</item>
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            <head>
                <title level="a"><emph rend="bold">BOOK REVIEW.</emph></title>
                
            </head>
            
            <p>&#x2014;&#x2014;<emph rend="italic">The Dial: an Occasional Publication</emph>. Edited by <ref target="#CRI">C. S. Ricketts</ref> 
                and <ref target="#CSH">C. H. Shannon</ref>. (L. Hacon and C. S. Ricketts.) — Amid large 
                expanses of fine paper are scattered woodcuts, lithographs, poems, 
                and prose, all of which are both serious and affected. The best 
                thing is the large circular lithograph by Mr. C. H. Shannon of 
                the infancy of Bacchus. The breadth and largeness of the composition
               are decidedly impressive.  </p>

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