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                <title>Yellow Nineties 2.0</title>
                <title>The Dial, Volume II&#8212;1892</title>
                <title type="dialv2-toc"/>
                <!-- Edit -->
                <editor>Lorraine Janzen Kooistra</editor>
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                <p>
                    <date>2019</date>
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                <!-- Edit -->
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
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                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
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                        <editor>Charles Ricketts</editor>
                        <editor>Charles Shannon</editor>
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                        <!-- Edit -->
                        <title>Table of Contents</title>
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                            <publisher>Charles Shannon in The Vale</publisher>
                            <pubPlace>London W.C.</pubPlace>
                            <date>1892</date>
                            <biblScope>Unknown. "Table of Contents." <emph rend="italic">The
                                    Dial</emph> vol. 2 1892, p. 35. <emph rend="italic">Dial Digital
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                                    <emph rend="italic">Yellow Nineties 2.0,</emph> Ryerson University Centre for Digital
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                    mean verbal and visual printed material, including non-referential physical
                    elements such as bindings, page layouts, and ornaments. We view any text as the
                    outcome of collaborative processes that have specific manifestations at precise
                    historical moments. The Yellow Nineties Online publishes facsimile editions of a
                    select collection of fin-de- siècle aesthetic periodicals, together with
                    paratexts of production and reception such as cover designs, advertising
                    materials, and reviews. This historical material is enhanced by two kinds of
                    peer-reviewed scholarly commentary: biographies of the periodicals’ contributors
                    and associates; and critical introductions to each title and volume by experts
                    in the field. All scholarly material on the site is vetted by the editor(s) and
                    peer- reviewed by them and/or an international board of advisors. The site as a
                    whole is peer- reviewed by NINES (Networked Infrastructure for
                    Nineteenth-Century Electronic Scholarship). Contributors to the site retain
                    personal copyright in their material. The site is licensed with a Creative
                    Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and
                    secondary materials, including all visual images, are marked up in TEI-
                    (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To
                    ensure maximum flexibility for users, magazines are available on the site as
                    virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in
                    PDF for downloading and collecting; and in XML for those who wish to review
                    and/or adapt our tag sets. In order to make ornamental devices, such as initial
                    letters, head- and tail- pieces, searchable, we have developed a Database of
                    Ornament in OMEKA, and linked it to the relevant pages of each magazine edition.
                    As a dynamic structure, a scholarly website is always in process; Phase One of
                    The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is
                    underway.</p>
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                <!-- EDIT^^ -->
                <pb n="35"/>
                <!-- EDIT^^ -->
                <head>
                    <title level="a">&#10087; &#10087; CONTENTS. &#10087; &#10087;</title>
                </head>
                <!-- EDIT^^ -->
            </div>

            <div type="prose">
                <p><emph rend="indent4"><ref target="#DIALV2_3pr">“THE MARRED FACE”</ref>. . . .
                        by</emph><lb/>
                    <ref target="#CRI">CHARLES RICKETTS.</ref>
                </p>

                <p><emph rend="indent4"><ref target="#DIALV2_4po">“PARSIFAL”</ref> IMITATED
                        FROM</emph>
                    <lb/>
                    <emph rend="indent4">THE FRENCH OF PAUL VERLAINE</emph>
                    <lb/>
                    <ref target="#JGR">JOHN GRAY.</ref>
                </p>

                <p><emph rend="indent4"><ref target="#DIALV2_6po">“TO THE FLOWERS, TO WEEP”</ref>
                        by</emph><lb/> HERBERT P. HORNE. </p>

                <p><emph rend="indent4"><ref target="#DIALV2_7po">“TO THE MEMORY OF
                        ARTHUR</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_7po">RIMBAUD”</ref>. . . . . . .
                        by</emph><lb/> T. STURGE MOORE. </p>

                <p><emph rend="italic">Unsigned</emph>
                        &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<ref target="#DIALV2_8pr"
                        >“MAURICE DE GUERIN”</ref></p>

                <p><emph rend="indent4"><ref target="#DIALV2_10po">“ON A PICTURE BY PUVIS DE
                            CHA-</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10po">VANNES”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10apo">“BITTEN APPLES”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10bpo">“LOVE LIES
                        BLEEDING”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10cpo">“THE LITTLE BROWN
                            WOOD-MOUSE”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10dpo">“GUST-DISGUSTED
                        GEESE”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10epo">“LES CHERCHEUSES DE POUX”</ref>
                        FROM</emph><lb/>
                    <emph rend="indent4">THE FRENCH OF ARTHUR RIMBAUD</emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10fpo">“PYGMALION”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_10gpo">“ON A DRAWING BY C. H.
                            S.”</ref> . by</emph><lb/> T. STURGE MOORE. </p>

                <p><emph rend="indent4"><ref target="#DIALV2_13pr">“KING COMFORT”.</ref>
                    by</emph><lb/> T. STURGE MOORE. </p>

                <p><emph rend="indent4"><ref target="#DIALV2_15po">“HEART’S DEMESNE”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_16po">“LES DEMOISELLES DE SAUVE”</ref>
                        by </emph><lb/>
                    <ref target="#JGR">JOHN GRAY.</ref></p>

                <p><emph rend="italic">Unsigned</emph>
                        &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<ref target="#DIALV2_17pr"
                        >“THE UNWRITTEN BOOK”</ref></p>

                <p><emph rend="indent4"><ref target="#DIALV2_18pr">“THE BRIDAL”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_18pr">“ELLA THE SHE-BEAR”</ref></emph><lb/>
                    <emph rend="indent4"><ref target="#DIALV2_18pr">“SNOW IN SPRING”</ref>
                    </emph> by <lb/>
                    <ref target="#CRI">CHARLES RICKETTS.</ref>
                </p>


                <p><emph rend="indent4"><emph rend="note"><emph rend="italic">The issue is strictly
                                limited</emph></emph></emph>
                    <lb/>
                    <emph rend="indent4"><emph rend="note"><emph rend="italic">to two hundred
                                copies, numbered,</emph></emph></emph>
                    <lb/>
                    <emph rend="indent4"><emph rend="note"><emph rend="italic">of which this is .
                                .</emph></emph></emph></p>

                <p><emph rend="indent5"/>N°... </p>


                <p><emph rend="note"><emph rend="indent6">THE VALE</emph></emph><lb/><emph
                        rend="note"><emph rend="indent6">1892</emph></emph></p>

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